A strange and terrible saga
I get asked the question “how was tour” on a regular basis
when I run into acquaintances back in Little Rock. The answer
is usually a 1 to 2 sentence answer for a 3 week long adventure
across the country. I’ll oblidge with a fairly generic answer like “man,
It was Really cool” or “it was great, the shows went well” or “so far, so good”.
You have to give that answer because the real answer is nearly
Impossible to put into words, at least without that person
completely regretting their polite inquiry.
For anyone who wants a real insite to what it is (at least from my perspective)
here’s a little peek…
September 2011 tour with Colour Music – West Coast
A few of the guys came through Little Rock to pick me up on the way to Tulsa, OK
to rehearse for two days at the bar that Paddy (Patrick Ryan) works at. We all live in separate states from eachother (except Luke and Jesse but they’re still 3 hours apart). When the guys arrived at my apartment we were all genuinely happy to
see eachother. I imagine it’s a similar feeling as getting ready to head out
To a summer camp (which I’ve never attended) with all of your best friends, but as adults so you can drink
beer and not get in trouble. We talked about all the t.v. shows we’ve been
watching (the Wire for me) and talked about how we all thought it was strange
that the West Memphis 3 had actually been released, then we loaded up into the van and continued on the 4 hours to Tulsa.
The van is like home in a lot of ways. We spend more hours in that little white
box than most people spend in their homes on any given day. So, getting in is like being back home after a month break from touring. A home that vibrates and has
music playing constantly and that you may crash into something at a fast speed
any minute! We’re good drivers (for the most part) so that’s somewhat comforting.
When we’re in the van, there is 4 other guys’ bodies within arms reach of one another so there’s no room for private phone calls really. I’ve dated girls
who couldn’t understand how I wasn’t able to call more often with allllll that
“downtime”. It just doesn’t really work out that way. We’re on a pretty tight
schedule most days. We figure out how many hours it is to the next city/venue
and we leave in just enough time to make it there for the scheduled load in/soundcheck. We do this because we don’t want to be too early or it would
Feel like showing up to work and waiting for the boss to show up and
unlock the doors. Fuck that!
We load in all of the amps and drums and guitars and then set them up on stage
to do a soundcheck. After that, we usually carry most of the equipment back off
of the stage so the other bands will have room to play.
Quick Recap: so, now we’ve been in the van for an average of 6 hours and carried
a trailer full of heavy equipment into the building and then back to another part of the building. It feels like a full days worth of work, but just now is when our “workday” begins. Between 6p.m. and whenever we play (usually around 11p.m.) we have to find a way to occupy ourselves in this club, or bar, or strange concrete garage type room. It’s kind of like being in a waiting room that serves beer and sometimes has
a pinball machine. We usually relax a little in the first hour of this time block.
And Then….right when you’re starting to settle in and enjoy your first beer,
The First Band cranks up and pulverizes the room with loud sound.
Rock and Roll!! Right?? Well, I truly hate to say it but a great deal of the bands
that are “opening bands” aren’t necessarily inspiring (to say the least). I get it,
we all have got to start somewhere and all that jazz, but some of these people
need their instruments taken from them and a good long spanking for what
they’re doing to people’s ears!
After sitting through 2 or 3 bands of this (whether they’re good or not, it
can still be taxing on your soul to sit through it every single night)
Sidenote: Look people, I realize there are some complainy undertones starting
to surface here, but dammit I’m just trying to tell it like it is. All of us appreciate
everything we’ve gotten or achieved with music, and understand how special it is that we get to do it, but there is a handsome amount of shit that comes with it.
We’re on tour with the Oklahoma based band Colour Music right now. These guys are truly great artists! Go see them and dance your buns off to their albums.
Side Sidenote: We invite our friends to shows. (sometimes with a bit of hesitation)
The hesitation is because we want them to have a good experience and enjoy
themselves when they enter into our “workspace”. We feel a decent amount of responsibility to take care of them and be good hosts. That can be a delicate
balance sometimes (given the chaotic atmosphere)
So, we set back up and get started. As Soon as we hit our first note, it all
makes sense. A surge of energy shoots through me. I feel like I’m truly inside of
something beautiful. For me, when I hear these guys playing their instruments with amazing heart and precision and sing together like what feels like angels, it inspires me like nothing else. Something grips and all of the rest of the day becomes a martyr for that one hour. We usually finish around midnight or so. We hang with
people who wanna talk about the show etc.. And have some beers or whatever until time to load out and drive to the hotel or someones house. If we stay with someone, the chances are that we’ll be up another hour or two. Then we hit the sack and wake up and start the whole thing again.
Rock & Roll!!
Someday, if we ever get to the Bus level, we may be doing coke off of hookers butts and all that stuff, for now, we’re gonna do the best we can to get to that stage for that one hour every night and hopefully meet some great folks along the way.
So far, So good.
Check out Colour Revolt tour dates, music, and beautiful merch at: http://colourrevolt.net/
Brooks Tipton and his sexy ass keyslaying!